Ubriachi di prog-rock, returns to the music of Coral Caves: scene “Journey to the end of the light”

Si chiama “Journey to the end of the light” il new album dei Coral Caves. Born in Palermo in 2001, the palermitana band only in 2006 published in an independent manner il loro primo Ep titled “Coral Caves promo 2006” contains 4 brani. Il lavoro riscuote positive feedback in 2008 is published the loro primo album “Mitopoiesi” dalla Mellow Records. “Mitopoiesi” was an album in the Italian language that riprendeva i brani dell’ Ep ed altri, presenting some of the summa della produzione della band fine at that time.

Reactions to the album were positive and worthy of Coral Caves numerous positive reviews and citations in the book “Rock Progressivo Italiano, by Andrea Parenti, “Palermo al Tempo del Vinile” by Daniele Sabatucci and “Rock Progressivo Italiano 1980-2013” ​​by Massimo Salari .

In 2016 Pietro Saviano met the drummer and friend Luca Di Salvo who prompted him to recover the existing track (record negli anni precedenti), complete and svilupparne altre inquadrando il tutto in an organic and conceptual work. Born così il seme che germoglierà in the album “Journey to the end of the light”.

Per raggiungere lo scopo Pietro Saviano involves numerous other musicians who have moved on with the band, rendering the formation fluid and open, but always faithful to the past of the band. Da qui l’aggiunta di “Project” al nome originale. The new album, this new song in the English language, is definitely coming soon in 2022.

È divided in three parts: the first is a suite inspired by the romance “Viaggio al termina della notte” by LF Celine; the seconda è composta da brani “perduti e ritrovati”; the third invece foresees an’elaborazione di due cover presenti: “Here comes the flood” by Peter Gabriel and “Lavender” by Marillion.

From the musical point of view, the group has intensified the arranging of più asciutti, reducing the number of sovraincisioni and allocating even one major cure to the singoli suoni. Le atmosphere risultano a tratti cupe emísteriose, a tratti latine e funkeggianti, per certi version oniriche e per altri psychedeliche, thanks also to a series of commissions and contaminations of style and generi diversity that, in short, define the genetic number of progressive rock .

The Coral Caves sound is inspired by the classics of prog like the Premiata Forneria Marconi, i Camel, gli Elp, obviously i Genesis, Pink Floyd and Pilatri del Rock like the Doors and Santana, but also the great Italian singer-songwriter, Lucio Battisti tra tutti. Il cd esce per MP & Records, distributed by GT Music Distribution by Antonino Destra, edizioni musicali Micio Poldo. Picture of Copertina and internal illustrations of the painter Alessia Bennardo. Artwork/layout and graphic elaboration sono di Ondemedie. Produced by Pietro Saviano and Luca di Salvo. Realizzazione di Vannuccio Zanella. I cd if I posson I will buy directly on-line oppure da Modì with cocktail included.

the training

  • Pietro Saviano: voice, basso and traverse flute
  • Dario Gallotta: chitarre his 7, 9 and 10
  • Lucio Gallotta: chitarre his 7, 9 and 10
  • Francesco “Pippo” Ribaudo: chitarre su 1, 2, 3, 4, 5, chitarra 12 cord and mandolino su 8
  • Andrea Montalbano: chitarre his 6
  • Simone Campione: steel guitar su 1, solo chitarra su 5
  • Massimiliano Vacca: battery his 7, 9 and 10
  • Luca Di Salvo: battery his 1, 2, 3, 4 and 5
  • Salvadores Arcoleo: piano and organ its 9 and 10
  • Gianni Varrica: Rhodes, organ and mellotron his 1, 2, 3, 5, 7, synthesizer his 4
  • Alessio Romeo: synthesizer su 2, 5, piano su 4, 6
  • Alessandro Fiore Bettina: piano su 8
  • Vincenzo Cosenza: sassofoni his 1, 2 and 3
  • Federico “Chicco” Mordino: percussioni su 3 e 4

track list

  1. Place de Clichy (2:08)
  2. Molly (6:04)
  3. Africa (5:00)
  4. Ballad of the Modern Man (6:25)
  5. Ballet Dancers (5:02)
  6. Semiotics (4:56)
  7. In the Arms of Morpheus (5:44)
  8. Here Comes the Flood (6:37)
  9. Lavender (4:50)
  10. End of the Night (3:25)

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Ubriachi di prog-rock, returns to the music of Coral Caves: scene “Journey to the end of the light”


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