Elodie is not just a great pop star but also a voice of cui avevamo bisogno – THE VISION

We keep the classifica dei singoli più ascoltati in Italia di vent’anni fa, in 2002, after the first ten songs, there is only one Italian. We walked ahead of sixteen years, in 2012, and we always guard the first ten positions, di artisti italiani non ce n’è neanche uno. Bisogna rises fine to the undici number to find a nome nostrano, quello di Arisa and the song with which he came Sanremo quell’anno, “La notte”. The classifica dei singoli di June 2022 ci invece shows a decidedly different panorama: the first Anglophone name rises to the ninth post, with Harry Styles. Tra i primi venti brani più ascoltati apparently invece tre volte il nome di Elodie.

Ci sono diverse ragioni per cui negli ultimi vent’anni i nostri consumi musicali sono cambiati così tanto. The definitive consecration of rap in the classifiche pop, the return of the singer-songwriter in chiave indie – even if it ends più esatto secondo alcuni sarebbe itpop – e quindi la riscoperta della lingua italiano, non più confined only to the classic “bel canto”, ma declined in new version. It is like in this moment that Italy finds itself in a phase of musical autarchy, a phenomenon also known in the world of pop art with a pig that is definitely più internazionale, a parola that comes often used to case by emphasizing sentimenti di generica stereophilia, ma che in this case has invece a precise sense. Elodie – like Mahmood, to name another artist with similar characteristics – is forse the quintessence of this new phase, in terms of aesthetics and content, which is traversing the Italian music market.

In Italy, no sono mai mancate le grandi pop star, no i periodi in cui ciò che offriva il mercato bastava e Avanzava per soddisfare i gusti dei consumtori. abbiamo avuto Raffaella Carra, a true and own myth of the spettacolo a tutto tondo, icon of a genre that has abundantly scavallato i confini nazionali; abbiamo avuto Franco Battiato, a person who has revolutionized the world of leggera music, overcoming also with great success the limits of the Italian market. Qualsiasi cultural phenomenon, the cinema alla letteratura, è il frutto delle condizioni storiche ed economiche that determines it: even the music, dunque, subisce variazioni, fasi e cicli che dipendono da ciò che il mondo attorno esta vivendo. L’ascesa di Elodie – e lo stravolgimento delle classifiche pop de questi anni recenti – e la seguenza di tante coincidenze que no fatto yes que un personaggio como lei potesse ricoprire un ruolo que en passato è appartenuto ad altre grandi artiste, ma che oggi, come avvenir per qualsiasi cosa, necessita di alcune caratteristiche nuove, in certi almost unprecedented.

Elodie, infatti, is not simply a brave and beautiful performer. It is her presence in the musical environment that is confined to that due to its characteristics, she did not avrebbe the most intense gradual explosion that she has achieved in the six-year arc. Anni Ottanta neglected to capture the image of the female star was the television of the varietà, and while the television of personaggi like Heather Parisi and Lorella Cuccarini – eredi di Raffaella Carrà, who continued to be very active and present – ​​oggi il mondo è molto diverse da allora. What determines the success and the relevance of a “regina del pop” is not its adaptability to the television stage, solcato da molteplici choreographie e poche parole, ma altri elementi di presa sul pubblico: storytelling, l’uso dei new mezzi di comunicazione, l’affermarsi di aesthetic modelli che si distance dai grandi classici del Novecento. Elodie, per molti aspetti, is an interesting mix of these characteristics, combined with the parrot in a way that was finely unprecedented on the Italian scene.

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Elodie Di Patrizi begins her carrier with an experience that riflette precisely the spirit of the time in which she lives. I dopo a bucato came to X-Factorcomes prey to talent più followed by our tv, after training that continues to be revealed in the Italian music market every year with new artists: Friends of Maria De Filippi. The story I gave friends in vent’anni e passa di messa in onda è molto interessante perché not solo è lunga e articolata, ma è è ache in tante fasi diverse; In the case of Elodie, for example, her admission to the school coincided with an era of aesthetic revolution in the program, successive year after year that could define “classici” and that corresponds to all the vittorie di singer like Emma Marrone or Alessandra Amoroso. Elodie, infatti, rappresenta da subito a personalità fuori posto, un’outsider, diciamo, a figure that senza dubbio spicca. In a context of the genre, it is capable of emerging – not only does it give a musical point of view but also a narrative point of view, of personal and artistic growth – it is a great point in favor that if it marries perfectly with the diffuse narrative component e quotidiano in cui siamo immersi oggi. When I infatti say that Elodie is a great example of storytelling, to use an expression abbastanza usurata ma punctual, The reference that fact is proper to this aspect of his life: there is a story and to tell it.

Finita la parentesi di friends, the carrier of Elodie è, as it always happens with chi esce da un talent, rimasta appesa a un filo molto sottile. The artist is infatti at an intermediate point between the success and the failure, with the addition of a great attention but at the same time there is little experience because it is prepared to eventually passi falsi. In 2017, a year dopo the end of the program, Elodie participates in her cousin sanremo, if you give a damn, there is a strong and promising character, who accompanies the way he sings on the difficult stage of the Festival, he does not anchor anything from the formal point of view. The image of Elodie deve sbocciare, manca il tassello finale del racconto, which governs the visual impact, fundamental point for the birth and growth of a pop star who lives by spettacolo and spettacolo. È come se in quel Sanremo the Roman singer fosse ancora in an adolescent phase della sua carriera de ella, non ancora abbastanza sicura di sé per osare also with an altro centrale aspect della sua ella essenza de ella, il corpo de ella.

Elodie is not just a great pop star but also
Elodie in the video clip of “Bagno a Mezzanotte” © 2022 Universal Music Italia Srl

Elodie is infatti a woman who will define “beautiful” is ridiculous, and I don’t say it because I’m rude or because I’m talking about her lusinghe, but for a simple fatto, ossia che il suo aspetto – il viso, il physico – sono anch’essi parte I gave a story: her beauty is a sign of her biography. Figure of a Roman street artist and of a Creole French ex-model and cubist, born in a borgata, growing in a contest of life that does not rinnega mai, who reworks and shows his public with pride and anger, Elodie is the personification of the future Mettendo gives part of the rhetorical stantia of the personage that comes from the basso and that if she fregia della rivalsa sociale, l’aspetto più interessante della sua crescita professionale of her is another. I am a diversi oggi gli pop artist who come from my family or from extra-community parents and who carry their stage a commission of culture that – checchè ne dicano political certi, with the inconsistent and ottusa fissa della purezza italica – it is a simple and efficient way to update our cultural panorama. Tutta la musica che ascoltiamo, dai Beatles a Lucio Dalla, è il frutto di un incontro, di un mix di generi e di spunti, di cose che c’erano già prima e si intrecciano with altre. I know that this movement is essential for the evolution of any thing that always comes through the image of a woman who, not only musically but also aesthetically, carries with me the commitment of my real life, all of which is not just a tangible consequence of the tempo in Cui viviamo, ma also a proiezione di come sarà il mondo domani.

From this point of view, the figure that Elodie has built negli anni, asserting herself as important as Versace and creating a true and own museIt is the fruit of a great synergy through a starting point, its history and its physical appearance, which is also a central part of pop music, ossia fashion. Così eats musically if it’s fatta “dress” da autori che, come ha raccontato Lei Stessa, negli anni le hanno affidato brani semper più vicini al suo carattere: Elisa, Dardust, Zef e tanti ancora. Tra tutti, ovviamente, spicca il legame con Mahmood, figure affine alla roman singer sotto tanti punti di vista, che li rende per certi versi complementari. È infatti Mahmood who has signed his song of Sanremo 2020, “Andromeda”, a hit that has sancito il passaggio di Elodie gives an aesthetic form that oggi probably found its most complete phase and consecrated to the role of pop star.

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It is chiaro che Elodie sia, as an artist and as a personage, the direct result of the person who is public chiede oggi ai suoi idoli. Protagonist of a phase of surprising change in the Italian pop music market that surely richer will negli anni, will have a precise rule, that if it is designed in diversity anni and to which it is approdata to a mature, lontana dai rischi del succes istantaneo per le giovani microstar che spesso si bruciano molto in fretta per colpa di un engulfing system. In the tracciare il profilo of her artist, not familiar but I will remember one last fundamental element that adds to the ritratto of her già di per se complete a treatment of personalità that unisce a po ‘tutti gli altri. Elodie non si fa nessun problem to say as she thinks: if c’è to face a direct dialectic with Matteo Salvini, she would do it senza paura, ribando il proprio impegno per i diritti di tutti e di tutte, also replying to a social card, that the legal leader has recently created a dichiarazione rilasciata della singer during the Pride conference. One of the mediatic instruments, of the ironic fasulla, that served daily with the elettori di Salvini against and his opponents of him. It is anyone who criticizes the way in which she uses her body, around the use of the old face of shame, Elodie does not treat give me answer arguing le sue scelte consapevoli e senzienti da donna. Se c’è da fare the godmother of Pride of Rome Scende in piazza to sing sul carro con tutti i manifestanti. Elodie, in support, is a complete story, is a three-dimensional image, a voice, a character, a whole mix that serves as a model of the enormous vastness of the mainstream public to which she does refer. In another parole, a true pop star, in the open and positive sense of the ending.



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Elodie is not just a great pop star but also a voice of cui avevamo bisogno – THE VISION


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