Savona, with “Milk” the gallery of Garbasso revives and changes clothes: “Una ferita che viene risanata” – IVG.it

savona. Colors, lights and music. The Galleria del Garbasso revives life and changes clothes with Milka public opera conceived by the artist Silvia Celeste Calcagno and curated by Raffaella Perna.

Il progetto, presented this morning in the Sala Rossa del Comune di Savona, rientra nell’ambito della rassegna d’arte contemporanea connection and sarà inauguration on December 16 alle ore 18. the gallery, che collega via Paleocapa to via Famagostarimarrà aperta per three days: heinstallation sarà fruibile also saturday 17 and domenica December 18 from 10.00 to 19.30.

The event, which provides for the sponsorship of the Community of Savona and of the assessorato alla Cultura, is also possible thanks to the collaboration of the ‘Ente Scuola Edile e dei Custodian of the Beautiful of the city of Savona. In the presentation, the cultural assessor Nicoletta Negro, the artist Silvia Celeste Calcagno, the curator Raffaella Perna and the vice president of the Storia Patria Rinaldo Massucco participated.

A Savona was not mai accaduto che l’arte entrassse in the city – comments the Black assessor -, we are crescendo within this new way of accounting. The city is responding very well”. E sull’opera nel tunnel: “The emotional impact will be the most pregnant thing, scopriremo quale will be the reaction of the savonesi. The gallery, già spoglia delle its original functions, will come to a place in whose ogni inhabitant possa riconnettere by parrot due realtà, what is physical and what is mental, returning to its internal self an echo of its own ferite past and in the contempo un richiamo verso un Altrove ”. The objective of the median terminus of the communal administration is to reprieve it: “Our intent is to continue to use this place. E’ nell’elenco dei beni communi ed è iniziata l’intelocuzione con i commerce della zona, vorremmo fare qualcosa di continuativo e non un progetto isolato”.

The artist Silvia Celeste Calcagno spiega the name of the opera: “Èil Latte, il primo nutrimento, il candore, la purity, but also the dependence of another individual, gives a love that nourishes and/or avvelena, è maternal dependence, origin, food that does not si può rifiutare. Milk racchiude a concept that my interest will investigate: ogni dependenza carry with I know intensity, pleasure and painremove the contradiction and a mystery that is difficult to fully revealcosì eat Non si possono svelare del tutto i segreti di cui il tunnel è stato testimone“.

Emotional artist raconta come è nata l’idea: “With this opera a fair sarà in any way sarà risanata. Mi è apparsa la scenografica immagine di un gate en ferro violentato da qualche graffito e incorniciato da due scalinate twins. Quello poteva essere il mio “non luogo”, where now il nulla regna. Da little ho perso l’uomo che amavo, a part della mia vita, del mio corpo, della mia anima. If sono sovrapposte due immagini, death gives a sidethat leads to the other and to the other this mysterious income, chiuso dagli anni ’80, che discrezione è fermo a guardare la città passare, la gente ignara e distratta; an income that you keep knowing that it is not kept. The gallery is avvolgente nonostante l’aria trasandata”.

“The project – continues Calcagno – part of what is exactly: an organ/uterus that gives a point above to another; l’ho immaginato rosso, il colore del sangue, della vita, lo scorrere del tempo, l’interno. Through the color, the light and a sound installation made site specific by the Florentine artist Luca Fucci, i lembi della ferita possono avvicinarsi e rimarginarsi“.

Curatrice Raffaella Perna presents the opera and the artistic contest in which it is sviluppa: “Silvia’s project is inserted in a process of rethinking public art opera. Secondo Simmel lo spazio is not a form per se, but produces form. The space is a social construction and consapevole of this definition Silvia has started to work. It is necessary to transform the urban space into a sort of body, a pulsating artery that lives through color. Dipping the tunnel of reds and animating it with the sound installation designed by Luca Fucci, the artist has transformed the environment into a living artery that if he learns all the fruits of the community. with milk The spectators are invited to live the opera with all their bodies within a lively atmosphere. This space on the one hand has a collective sense that can be seen from the community, from the other side of the body”.

Il vicepresidente di Storia Patria Massucco ricorda l’origine: “Quel passaggio è one of the 12 anti-aircraft rifles Risalenti alla seconda guerra mondiale. Tutti i manufatti costruiti dall’uomo secondo noi devono essere conservati soprattutto se oggi possono costituire una risorsa”.

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Savona, with “Milk” the gallery of Garbasso revives and changes clothes: “Una ferita che viene risanata” – IVG.it


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