Chiesina della Tosse and ceramiche di Lena, combination of beauty








In via Andrelini, in the heart of Forlì, is in this year a combination of beauty that has not been equal in the city: the Chiesina della Tosse and the artistic winery of Lena Papadaki. Da consecrated time, the former oratory, post pressoché dirimpetto l’ingresso della Casa di riposo “Pietro Zangheri, a church church and convent of San Salvatore, laughed in the last decade of the Cinquecento. “In 1595 – writes Gabriele Zelli in his guide to the city of Forlì, made a quattro mani with Marco Viroli – Firenze scoppiò a great epidemic of pertussis. Many people if they amamalarono and if they counted also numerosi morti. All the time I don’t know that malattia is viral and contagious. L’impotenza della scienza portò i fiorentini ad invocare un miracolo. Fu portata in processione la Madonna della Tosse, immagine sacra invocata da sempre per la guarigione dei fanciulli affetti da pertosse, e la epidemia gratimente si pense. It is highly probable that our church of Santa Maria Annunziata, located in via Andrelini, had an analogous origin”.


The oratory, già di proprietà della famiglia Orselli e sorto nell’area dell’exorto dei Domenicani, came to be consecrated during the Napoleonic and post-unitarian oppression and passed in ownership of the Comune di Forlì, which did not serve as magazzino fino in 1984 L’indomani del suo pieno recupero, operato semper dal Comune, è state assigned to the master Marco Tadolini, who has used it as a laboratory, signing a contract d’affitto rinnovabile ogni sei anni. “I gave the diploma in architectural design to Salonica and the perfection in “Art della maiolica” to Faenza – I know Lena Papadaki’s daughter, native of Iráklion, administrative head of the Greek island of Crete and giants in Italy in 1982 – today I am mine artistic commitment to what prof. Marco Tadolini, operative at Mulino Faliceto di via Caterina Sforza. We are approximately who in 1987”. In the year 2000, at the end of the signing contract, Tadolini e la Papadaki came to informati from the communal administration of the decision to add the former chiesetta to the display container. Per Lena, in love with that place and with her artistic potential, starts the battaglia. Supported by popular petitions and firm raccoltes, in 2003 she tried to convince the allora sindaco Rusticali to come to the oratorio-laboratorio di via Andrelini, to continue her artistic activity.


“Ho muchtato per restarere en questo luogo, en cui ho visuto mucho della mia vienda artística. It is an environment rich in history and relationships with all colors that apprezzano il mio lavoro”. La Papadaki, who proposes ceramic corsi directly in loco, performs operations with great visual impact, thanks to the very antiquity technique of the “metallic lustro”, apprehended in the course of his studies in Faenza: “It is a procedure of arabic derivation – precise – in Cui l’utilizzo dell’oro e dell’argento e l’imponderabilità dei risultati del fumaggio, fanno sì che l’oggetto lustrato siempre un pezzo unique and unrepeatable”. “C’è un atmosfera fra queste pareti – scrivono di lei sul web – dove si mescolano antichi e nuovi, i gesti degli uomini e il frutto delle loro intenzioni. The hand follows firmly and precisely the profile of a figure that emerges slowly. The dedication of the artist is in the form that she gets to the very best. The matter assopita, will return to sing dopo essere passata nel fuoco”. “Lena – is dedicated ‘online’ to the writer-actor-singer Moni Ovadia-she has a deep soul that vibrates in her face with her facedone sgorgare an old and new art”. La chiesina della Tosse, a living and enduring Renaissance monument, thanks to all the cure and to the labor of the master ceramicist, Gode di buona salute e ringrazia sentitamente.



Nella photo of the Greek artist Lena Papadaki


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Varie immagini della Chiesina della Tosse








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Chiesina della Tosse and ceramiche di Lena, combination of beauty


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