Addio all’artista Vincenzo Parea

E’ mancato ieri mattina l’artista vigevanese Vincenzo Parea.

Born in Vigevano on 3 Gennaio 1940, he has completed his first artistic studies at the Scuola per Pittori e Decoratori del Civico Istituto Roncalli di Vigevano, approving his artistic-cultural formation in a constant dialectical and studio rapport with his maggiori artisti operanti nell’ Contemporary age. L’interesse dell’artista, revolted in a prime moment to the emotionally pure value of color, immediately approda all’arricchimento dell’indagine estética, alle richerche riguardanti i valori analytici del colore stesso. His first inoggective opera by him dates from 1969. Vincenzo Parea has been part of the Vigevan avant-garde that has definitively broken with the academic tradition.

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He has had prestigious personal shows in Italy and abroad. In autumn 2014 the Historic Prof. Carlo Franza invites you with a person with the title “Color Phenomenology” in the “Scenari” Project at the Plus Florence in Firenze, and also a person with the title “Colour Dressing” in the “Strade d’ Project Europe” at Plus Berlin di Berlino. In Maggio 2015 it has a personale with the title “Passaggi per l’infinito” (event for Expo Milano 2015) always presented by the distinguished critic Prof. Carlo Franza, who also awarded the Expo Milano 2015 Prize for Contemporary Art. In July 2016, Prof. Carlo Franza, President of Giuria, at the Terrazza Belvedere del Plus Florence in Firenze, awarded the Premium International Florence Seven Stars. In 2016-2017 he is anchored by the Illustre Storico dell’arte prof. Carlo Franza will inaugurate his show with the title “Universi di colore” at Palazzo Borghese in Firenze. In 2018 anchors a personal daltitolo “Variabili geometrie” in the Progetto “Strade d’Europa” at Plus Berlin di Berlino.

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Vincenzo Parea with Vittorio Sgarbi davanti ad una sua opera

All’opera di Vincenzo Parea have dedicated critical critics and written introductions: Giulio Carlo Argan, Bruno Bandini, Riccardo Barletta, Carlo Belloli, Claudio Beccaria, Marco Beretta, Antonio Calderara, Domenico Cara, Claudio Cerritelli, Alfio Coccia, Mauro Corradini, Dadamaino, Federica Dafarra, Giorgio Di Genova, Giovanna Fiorenza, Julio Flores, Carlo Franza, Giuseppe Franzoso, Carlo Fumagalli, Isabella Giardini, Flaminio Gualdoni, Friedrich W. Heckmanns, Lucrecia Vega Gramunt, Dino Marangon, Attilio Marcolli, Francesco Marinone, Giuliano Menato, Marco Meneguzzo, Guido Montana, Elena Pontiggia, Federica Rabai, Claudio Rizzi, Nanni Rossi, Luigi Sansone, Giorgio Segato, Cristina Portioli Staudacher, Alberto Veca, Annalisa Vella, Francesco Vincitorio”.

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«The essence of the material – spiegava l’artista – nelle mie opere è resa tramite l’equilibrio strutturale between a tone of color and the other. I toni chromatici determinano delle linee che vanno oltre lo spazio operative; verse l’infinito». Per Parea, that he recounted was the infinite generation of tonal accords, that if based on his impercettibili line, anziché his righe as it comes for a long part of the astratta pittura; Nei suoi spazi chromatici la línea deventava un pura vibrazione para toni impalpabili y tantalmente rarefatti da rasentare l’illeggibilità, tanto da poter I will think of the line as a “breath” or as the fruit of an oppure biological respite, per contro, di un arrestsi dello Stesso to consent to the hand that saldezza needs to pull it.

I funeral si terranno monedì 23 gennaio, alle ore 9,30, presso la chiesa Gesù Divin Lavoratore a Battù.

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Addio all’artista Vincenzo Parea


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